Japan auteur Kitano’s newest samurai movie headed to Cannes

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Takeshi Kitano’s new movie, premiering on the Cannes Film Festival subsequent month, is a samurai story with out heroes, mercilessly portraying human greed, betrayal and cruelty.

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Kitano, awarded the Golden Lion on the Venice Film Festival for his “Hana-Bi” in 1997, wished to make a unique form of interval piece in “Kubi,” or “neck,” a reference to conventional Japanese beheadings.

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“Most samurai films portray famous people and don’t focus on the dirty side of human existence or show how evil people don’t care a hoot about slaughtering regular people,” Kitano instructed reporters Saturday.

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The story encompasses a Sixteenth-century feud centered round Oda Nobunaga, a strong warlord — well-known in Japan however not as acquainted for abroad audiences. But the Shakespearean intrigues are acquainted sufficient.

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The spectacular battle scenes evoke Akira Kurosawa classics like “Seven Samurai” and “Kagemusha,” based on Takeshi Natsuno, president of Kadokawa, the manufacturing firm behind “Kubi.”

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Kitano, 76, started in Japan’s equal of vaudeville as a stand-up comedian with the stage identify Beat Takeshi, earlier than changing into a celebrity on TV reveals and movies.

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The newest work juxtaposes the horror of killing with the absurd, stated Kitano, showing on stage together with his forged at a Tokyo resort.

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“Kubi” encompasses a star-studded forged, together with Hidetoshi Nishijima, marking his return to a Kitano movie because the 2002 “Dolls,” which was impressed by conventional Bunraku puppet theater, in addition to Ryo Kase, who appeared in Kitano’s “Outrage” gangster collection.

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Kitano additionally acts within the new movie and wrote the screenplay, based mostly on his e-book, printed in 2019.

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Some of essentially the most dramatic scenes in “Kubi” contain fabulous units, however had been taken in a single lower or minimal cuts. Kitano stated that was intentional and recalled that director Nagisa Oshima taught him to avoid closeups in main scenes.

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Kitano’s first main movie function was in Oshima’s “Merry Christmas Mr. Lawrence,” a drama a few Japanese prisoner of struggle camp throughout World War II, starring David Bowie and Ryuichi Sakamoto.

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